I search and spy you from across the room.
At first sight, I felt my heart burst in bloom.
My thoughts race to islands of blue waters
And for just a moment my vision blurs.

I touch your dress and feel the electric.
In this moment I know you’re the right pick.
I grip you in my hands, oh how perfect.
You hold my attention, firm, and direct.

You open to me, no fear to reveal.
Fragile as glass or hard as tungsten steel.
The lure of the first moments of delight.
No doubt about it, it’s love at first sight.

Your voice just for me, soft as a whisper,
Drawing me in and cause visions to stir.
Telling me what you plan to give to me,
Every single thought I can’t help but agree.

My eyes thrill to follow your every line
Making the moon rise and the stars to shine.
My mind explodes… the things to do with you,
and oh… the smile on my face when we’re through.

Took you home quick… opened your cover too.
Turn those pages for a whodunit clue.


If you want to know more about a Chanso poem, click here for How To Write Chanso Poetry. Or jump below the logo to get a not so quick explanation but a somewhat clear version.


Poetry Lost Mind Image


The not so quick explanation but a somewhat clear version:

You write however many stanzas you like or need in order to tell your story.

Each line has the same number of syllables… your choice. If one line is 7 then all lines are 7.

The number of lines per stanza is up to you but must stay the same for all stanzas with the exception of the last stanza. If one is 4 then all are 4, but the last would be 2, see next.

The final stanza has half the number of lines the other stanzas have. For this poem the stanzas have 4 lines, so my final stanza has 2.

The final stanza sums up what happened in your poem, or you can make a dedication to whoever or whatever you wrote the poem about.

And that’s it. I’ll be updating the How To… post soon with some history about the Chanso poetry form and some interesting language aspects that a history freak like me just loves to stumble upon.

Hope you enjoyed the poem, and try the style out.

Just a tip, if you write one, pick your topic/subject, then write a sentence for what each stanza will be about. For example:

My poem was about reading a book, as revealed in the final stanza. The subject of the poem being a deception until the end was my own doing, not a requirement of the style at all. Now here is how I went about my Chanso. I divided it up into what I considered the elements of reading a book, a real, honest to goodness, made of paper, book.

Seeing the book (On the shelf, the thrill that it’s there, the color of the cover.)

Feeling the book (As I take it off the shelf. Happy I finally and thrilled I finally have it.)

Opening the book (Opening the book to a story of a heartbreaking emotional story or a hard as nails action thriller. And knowing it was the right pick and delighting in what I see.)

Hearing the book (Hearing that creak of a book opening and the pages rifling.)

Reading the book (The words and the images and the ending and satisfaction of having read the book.)

The reveal (In this case.) that it is a book. (A quick summation of the poem. I was surprised by how easy it was to do it.)

© 2020- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

How to write Chanso Poetry.

It’s New Form Friday for your Poetic Palates.

Today I bring you the CHANSO.

This is a French form made popular by troubadours in 12th century Europe. Often about the chivalrous manner to treat women. (More details coming in updates or a new post. You know I love the historic details of things.)

Here it goes the How To Write:

  • 4 or more STANZAS
  • The number of lines for a STANZA is up to you. But EACH STANZA will be that number of lines.
  • SYLLABLES should be the same for each line throughout. The number is your choice.
  • The RHYME SCHEME is your choice, but whatever you set for the FIRST STANZA, should be the same for all STANZAS.

The RHYME PATTERN for a four-line four STANZA Chanso would look like this: (Image)

four line stanza Chanso patterns image

(Text Version)
RHYMING PATTERNS for a four-line, four stanza CHANSO.
Each stanza is to use its OWN rhymes, not those of
the previous stanza’s rhymes.
A                                A
B                                A
A                                B
B                                 B

C                                 C
D                                 C
C                                 D
D                                 D

E                                  E
F                                  E
E                                  F
F                                  F

G                                  G
H                                  G
G                                  H
H                                  H

I                                   I
J                                   I

  • You choose the NUMBER OF STANZAS you want your Chanso to have.
  • The FINAL STANZA called an ENVOY or TORNADA, is a summary of the poem or a dedication to the subject the poem is about if that applies in any way.
  • The ENVOY/TORNADO is half the number of lines as the main stanzas.
  • For the ABOVE PATTERN, the ENVOY is a 2 line stanza because the main stanza is 4 lines
    If the main was a 6 line stanza, the final stanza would be a 3 line stanza.
  • The RHYME PATTERN for the ENVOY/TORNADA is the same as the main stanza
    beginning with line one. If this were a 6 line main stanza, then the envoy/tornada would be IJI or IIJ.


© 2020- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.

How To Write A Haiku Poem In English Form

Updated 5/11/2020.

There are various forms of Haiku poetry. I am only going to discuss the style I, and thousands of others have used through the years since English speakers have been trying their hand at Haiku, and that’s How to write a Haiku Poem in English Form. Haiku purists in the Japanese style attempt to write a Haiku that can be read in one breath. This means it is simple and short. Well, not that simple.

Four things to remember:

  • You have three lines of poetry.
  • 17 total syllables, some say sounds, in the 5/7/5 pattern.
  • You normally tell two opposite images in the poem.
  • Lines one and two should read as a complete sentence and lines two and three should read as a complete sentence.

Notice the word normally. You can have the poem be about aspects of the same thing, but normally you look at it from two different ways.

Artistic and traditional elements to include in a Haiku:

  • Nature
  • Colors
  • Seasons

You use these elements to give a visual of whatever you are attempting to relay and usually including the season you write it in.

This is a very quick and not great example, but it shows you what I mean.

The tree is falling, (5 syllables)

Down among the river rocks, (7 syllables)

Fish bring forth new life. (5 syllables)

Lines one and two read as: The tree is falling down among the river rocks.

Lines two and three read as: Down among the river rocks, fish bring forth new life.

  1. The tree is falling and dying among the rocks of the river
  2. And fish are living and bring life among the rocks of the river
  3. Two opposite things happening.

Opposites are not a MUST, but are the true way of Haiku and add to the challenge. Do not let that prevent you from writing. The more you write the closer you get to achieving true Haiku.

Matsuo Bashō Statue Haiku

As Matsuo Bashō put it,

“The haiku that reveals seventy to

eighty percent of its subject is good.

Those that reveal fifty to sixty percent,

we never tire of.”


My Haiku reveals 100%.

 The tree is falling,

Down among the river rocks,

Fish bring forth new life.


Can we take my first Haiku and make it fifty to sixty percent?


Life splinters apart,

Down among slippery mounds,

Life brings forth new life.


In this new version the same thing is said, but also leaves some interpretation to the reader, which in a way I like to do for the reader. Give the reader something they can connect with in their own way.

That is the basic way I usually like to write Haiku but often times veer off into another message. It is fun, challenging, and an art. I am not saying I am an artist, but I do believe those who can do it well are. I am still a finger painter in this world, but I enjoy staining my fingers in the ink.

To get to the point where you can write like the a true Haiku artist it could take years, but writing is the purpose and eventually you get there, if that’s where you want to go. Otherwise, enjoy the way you want write and the message you wish.

For other types of Haiku click and read-Haiku, Tanka, and Haibun. It’s all poetry to me. Learn the difference.

To learn Freku, which I came up with, click and read-NEW FORM of Haiku & Poetry.

For examples of my own Haiku offerings click here and you will leave this page.

For a weekly Haiku Poetry Prompt Challenge I host click here and you will leave this page. Once on the next page you will need to select the current week’s challenge.

Much Respect


Originally posted July 02, 2014.

Copyright-All rights 2020.