Be You
All day
Succeed or fail
In life in love in work,
Judged by others set beliefs.
Be you.
For this weeks Cinquain Poetry Prompt of OVERCOME.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Author: Ronovan
Cinquain Poetry Prompt 11: OVERCOME is your inspiration.
You don’t have to use the word in your poem, you can just use it as inspiration.
Yes, there is kind of a way of the madness of the poetry form, but you really just use the structure to create what you want in order to get your message across. There are examples of Adelaide Crapsey’s work below. She’s the one who created this style.
The Cinquain or more specifically the American Cinquain.
My Example:
Old Days
See how
The sun rises,
Breaking over beauty,
Filling the senses with heaven
Then fades.
You can see the pattern above is as follows…
THE STRUCTURE
5 Lines with each a given number of syllables as
2
4
6
8
2
An iambic foot with the stresses by line being
1
2
3
4
1
For the first line of the poem there will be two syllables with one stressed syllable and that one being the second one, which establishes the pattern.
The Cinquain most commonly used is the American Cinquain created by Adelaide Crapsey. Although she did not write down specific rules for composing one of her Cinquains, we have a form from people who have studied her poetry and have found commonalities in her works, those being the syllable and iambic foot, stresses pattern, although the iambic foot is not a requirement. Think of iambic foot and meter as the beat of music and the poem. Every other syllable is the beat.
THE CONTENT
As much as structure dictates an American Cinquain, the content and descriptive nature of the poem is just as important. Emotion. Nature. Event. Idea. All of those can be what brings words to the poem. If you’re not accustomed to cinquain yet, or your idea of a poem is big, write your poem as long as it needs to be to get your story down. Then you start zeroing in on structure. Then you turn that original idea and those original words into such concise and descriptive wording that in just 22 syllables you tell your story.
As you tell the story, remember that often, and usually, the last line flips the story you’ve told. A negative poem ends with a positive, a positive with a negative. A story of anger ends in peace. Oppressed ends in freedom.
Using my example, I tell a story of could be an actual sunrise, emotions, or an event. It’s a pleasant and serene, inspiring tale, then with the ending it all disappears. Yes, a sunrise disappears, an event ends, the joyful emotions of love may end in total darkness and depression.
Two Adelaide Crapsey Cinquain poems:
November Night
Listen . . .
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
And fall.
Trapped
Well and
If day on day
Follows and weary year
On year . . . and ever days and years . . .
Well?
LINKING BACK TO THE PROMPT:
One way to increase interest in prompt challenges is to link back or pingback to the prompt when you write your response on your blog. This can also have a couple or more extra visits to your post.
Click HERE to find out how to do a Pingback. It’s a post I created a long time ago. It includes an image showing you how to do it.
Some people like to copy and paste the challenge image into their posts. That’s okay with me.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
A Normal Day – a Cinquain.
A Normal Day
Treasure
Of love.
The deepest heart
Filled with endless wanting,
Beyond reach in this life of man.
Empty.
For this weeks Cinquain Poetry Prompt of TREASURE.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Cinquain Poetry Prompt 10: TREASURE is your inspiration.
You don’t have to use the word in your poem, you can just use it as inspiration.
Yes, there is kind of a way of the madness of the poetry form, but you really just use the structure to create what you want in order to get your message across. There are examples of Adelaide Crapsey’s work below. She’s the one who created this style.
The Cinquain or more specifically the American Cinquain.
My Example:
Old Days
See how
The sun rises,
Breaking over beauty,
Filling the senses with heaven
Then fades.
You can see the pattern above is as follows…
THE STRUCTURE
5 Lines with each a given number of syllables as
2
4
6
8
2
An iambic foot with the stresses by line being
1
2
3
4
1
For the first line of the poem there will be two syllables with one stressed syllable and that one being the second one, which establishes the pattern.
The Cinquain most commonly used is the American Cinquain created by Adelaide Crapsey. Although she did not write down specific rules for composing one of her Cinquains, we have a form from people who have studied her poetry and have found commonalities in her works, those being the syllable and iambic foot, stresses pattern, although the iambic foot is not a requirement. Think of iambic foot and meter as the beat of music and the poem. Every other syllable is the beat.
THE CONTENT
As much as structure dictates an American Cinquain, the content and descriptive nature of the poem is just as important. Emotion. Nature. Event. Idea. All of those can be what brings words to the poem. If you’re not accustomed to cinquain yet, or your idea of a poem is big, write your poem as long as it needs to be to get your story down. Then you start zeroing in on structure. Then you turn that original idea and those original words into such concise and descriptive wording that in just 22 syllables you tell your story.
As you tell the story, remember that often, and usually, the last line flips the story you’ve told. A negative poem ends with a positive, a positive with a negative. A story of anger ends in peace. Oppressed ends in freedom.
Using my example, I tell a story of could be an actual sunrise, emotions, or an event. It’s a pleasant and serene, inspiring tale, then with the ending it all disappears. Yes, a sunrise disappears, an event ends, the joyful emotions of love may end in total darkness and depression.
Two Adelaide Crapsey Cinquain poems:
November Night
Listen . . .
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
And fall.
Trapped
Well and
If day on day
Follows and weary year
On year . . . and ever days and years . . .
Well?
LINKING BACK TO THE PROMPT:
One way to increase interest in prompt challenges is to link back or pingback to the prompt when you write your response on your blog. This can also have a couple or more extra visits to your post.
Click HERE to find out how to do a Pingback. It’s a post I created a long time ago. It includes an image showing you how to do it.
Some people like to copy and paste the challenge image into their posts. That’s okay with me.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Fearlessly Waiting – a Cinquain.
Fearlessly Waiting
Stand up
Be bold, righteous.
Never concede standards.
Demand what is deserved for you.
Patience.
For this weeks Cinquain Poetry Prompt of BRAVE.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Cinquain Poetry Prompt 9: BRAVE is your inspiration.
You don’t have to use the word in your poem, you can just use it as inspiration.
Yes, there is kind of a way of the madness of the poetry form, but you really just use the structure to create what you want in order to get your message across. There are examples of Adelaide Crapsey’s work below. She’s the one who created this style.
The Cinquain or more specifically the American Cinquain.
My Example:
Old Days
See how
The sun rises,
Breaking over beauty,
Filling the senses with heaven
Then fades.
You can see the pattern above is as follows…
THE STRUCTURE
5 Lines with each a given number of syllables as
2
4
6
8
2
An iambic foot with the stresses by line being
1
2
3
4
1
For the first line of the poem there will be two syllables with one stressed syllable and that one being the second one, which establishes the pattern.
The Cinquain most commonly used is the American Cinquain created by Adelaide Crapsey. Although she did not write down specific rules for composing one of her Cinquains, we have a form from people who have studied her poetry and have found commonalities in her works, those being the syllable and iambic foot, stresses pattern, although the iambic foot is not a requirement. Think of iambic foot and meter as the beat of music and the poem. Every other syllable is the beat.
THE CONTENT
As much as structure dictates an American Cinquain, the content and descriptive nature of the poem is just as important. Emotion. Nature. Event. Idea. All of those can be what brings words to the poem. If you’re not accustomed to cinquain yet, or your idea of a poem is big, write your poem as long as it needs to be to get your story down. Then you start zeroing in on structure. Then you turn that original idea and those original words into such concise and descriptive wording that in just 22 syllables you tell your story.
As you tell the story, remember that often, and usually, the last line flips the story you’ve told. A negative poem ends with a positive, a positive with a negative. A story of anger ends in peace. Oppressed ends in freedom.
Using my example, I tell a story of could be an actual sunrise, emotions, or an event. It’s a pleasant and serene, inspiring tale, then with the ending it all disappears. Yes, a sunrise disappears, an event ends, the joyful emotions of love may end in total darkness and depression.
Two Adelaide Crapsey Cinquain poems:
November Night
Listen . . .
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
And fall.
Trapped
Well and
If day on day
Follows and weary year
On year . . . and ever days and years . . .
Well?
LINKING BACK TO THE PROMPT:
One way to increase interest in prompt challenges is to link back or pingback to the prompt when you write your response on your blog. This can also have a couple or more extra visits to your post.
Click HERE to find out how to do a Pingback. It’s a post I created a long time ago. It includes an image showing you how to do it.
Some people like to copy and paste the challenge image into their posts. That’s okay with me.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
It Comes – a Cinquain.
It Comes
The End,
From birth to death.
Ever the changing light.
The last of life’s flames snubbed to ash.
Freedom?
For this weeks Cinquain Poetry Prompt of RELEASED.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Cinquain Poetry Prompt 8: RELEASED is your inspiration.
You don’t have to use the word in your poem, you can just use it as inspiration.
Yes, there is kind of a way of the madness of the poetry form, but you really just use the structure to create what you want in order to get your message across. There are examples of Adelaide Crapsey’s work below. She’s the one who created this style.
The Cinquain or more specifically the American Cinquain.
My Example:
Old Days
See how
The sun rises,
Breaking over beauty,
Filling the senses with heaven
Then fades.
You can see the pattern above is as follows…
THE STRUCTURE
5 Lines with each a given number of syllables as
2
4
6
8
2
An iambic foot with the stresses by line being
1
2
3
4
1
For the first line of the poem there will be two syllables with one stressed syllable and that one being the second one, which establishes the pattern.
The Cinquain most commonly used is the American Cinquain created by Adelaide Crapsey. Although she did not write down specific rules for composing one of her Cinquains, we have a form from people who have studied her poetry and have found commonalities in her works, those being the syllable and iambic foot, stresses pattern, although the iambic foot is not a requirement. Think of iambic foot and meter as the beat of music and the poem. Every other syllable is the beat.
THE CONTENT
As much as structure dictates an American Cinquain, the content and descriptive nature of the poem is just as important. Emotion. Nature. Event. Idea. All of those can be what brings words to the poem. If you’re not accustomed to cinquain yet, or your idea of a poem is big, write your poem as long as it needs to be to get your story down. Then you start zeroing in on structure. Then you turn that original idea and those original words into such concise and descriptive wording that in just 22 syllables you tell your story.
As you tell the story, remember that often, and usually, the last line flips the story you’ve told. A negative poem ends with a positive, a positive with a negative. A story of anger ends in peace. Oppressed ends in freedom.
Using my example, I tell a story of could be an actual sunrise, emotions, or an event. It’s a pleasant and serene, inspiring tale, then with the ending it all disappears. Yes, a sunrise disappears, an event ends, the joyful emotions of love may end in total darkness and depression.
Two Adelaide Crapsey Cinquain poems:
November Night
Listen . . .
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
And fall.
Trapped
Well and
If day on day
Follows and weary year
On year . . . and ever days and years . . .
Well?
LINKING BACK TO THE PROMPT:
One way to increase interest in prompt challenges is to link back or pingback to the prompt when you write your response on your blog. This can also have a couple or more extra visits to your post.
Click HERE to find out how to do a Pingback. It’s a post I created a long time ago. It includes an image showing you how to do it.
Some people like to copy and paste the challenge image into their posts. That’s okay with me.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Over the Hill – a Cinquain.
Over the Hill
Power,
The good and bad
It warms up the cold nights.
Gives light to the darkest of days.
Corrupts.
For this weeks Cinquain Poetry Prompt of POWER.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Cinquain Poetry Prompt 7: POWER is your inspiration.
You don’t have to use the word in your poem, you can just use it as inspiration.
Yes, there is kind of a way of the madness of the poetry form, but you really just use the structure to create what you want in order to get your message across. There are examples of Adelaide Crapsey’s work below. She’s the one who created this style.
The Cinquain or more specifically the American Cinquain.
My Example:
Old Days
See how
The sun rises,
Breaking over beauty,
Filling the senses with heaven
Then fades.
You can see the pattern above is as follows…
THE STRUCTURE
5 Lines with each a given number of syllables as
2
4
6
8
2
An iambic foot with the stresses by line being
1
2
3
4
1
For the first line of the poem there will be two syllables with one stressed syllable and that one being the second one, which establishes the pattern.
The Cinquain most commonly used is the American Cinquain created by Adelaide Crapsey. Although she did not write down specific rules for composing one of her Cinquains, we have a form from people who have studied her poetry and have found commonalities in her works, those being the syllable and iambic foot, stresses pattern, although the iambic foot is not a requirement. Think of iambic foot and meter as the beat of music and the poem. Every other syllable is the beat.
THE CONTENT
As much as structure dictates an American Cinquain, the content and descriptive nature of the poem is just as important. Emotion. Nature. Event. Idea. All of those can be what brings words to the poem. If you’re not accustomed to cinquain yet, or your idea of a poem is big, write your poem as long as it needs to be to get your story down. Then you start zeroing in on structure. Then you turn that original idea and those original words into such concise and descriptive wording that in just 22 syllables you tell your story.
As you tell the story, remember that often, and usually, the last line flips the story you’ve told. A negative poem ends with a positive, a positive with a negative. A story of anger ends in peace. Oppressed ends in freedom.
Using my example, I tell a story of could be an actual sunrise, emotions, or an event. It’s a pleasant and serene, inspiring tale, then with the ending it all disappears. Yes, a sunrise disappears, an event ends, the joyful emotions of love may end in total darkness and depression.
Two Adelaide Crapsey Cinquain poems:
November Night
Listen . . .
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
And fall.
Trapped
Well and
If day on day
Follows and weary year
On year . . . and ever days and years . . .
Well?
LINKING BACK TO THE PROMPT:
One way to increase interest in prompt challenges is to link back or pingback to the prompt when you write your response on your blog. This can also have a couple or more extra visits to your post.
Click HERE to find out how to do a Pingback. It’s a post I created a long time ago. It includes an image showing you how to do it.
Some people like to copy and paste the challenge image into their posts. That’s okay with me.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Rogue – a Cinquain.
Rogue
Lawless,
Order ignored,
A careless war bringer.
All to misdirect a fan base.
Insane.
For this weeks Cinquain Poetry Prompt of ANARCHY.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Cinquain Poetry Prompt 6: ANARCHY is your inspiration.
You don’t have to use the word in your poem, you can just use it as inspiration.
Yes, there is kind of a way of the madness of the poetry form, but you really just use the structure to create what you want in order to get your message across. There are examples of Adelaide Crapsey’s work below. She’s the one who created this style.
The Cinquain or more specifically the American Cinquain.
My Example:
Old Days
See how
The sun rises,
Breaking over beauty,
Filling the senses with heaven
Then fades.
You can see the pattern above is as follows…
THE STRUCTURE
5 Lines with each a given number of syllables as
2
4
6
8
2
An iambic foot with the stresses by line being
1
2
3
4
1
For the first line of the poem there will be two syllables with one stressed syllable and that one being the second one, which establishes the pattern.
The Cinquain most commonly used is the American Cinquain created by Adelaide Crapsey. Although she did not write down specific rules for composing one of her Cinquains, we have a form from people who have studied her poetry and have found commonalities in her works, those being the syllable and iambic foot, stresses pattern, although the iambic foot is not a requirement. Think of iambic foot and meter as the beat of music and the poem. Every other syllable is the beat.
THE CONTENT
As much as structure dictates an American Cinquain, the content and descriptive nature of the poem is just as important. Emotion. Nature. Event. Idea. All of those can be what brings words to the poem. If you’re not accustomed to cinquain yet, or your idea of a poem is big, write your poem as long as it needs to be to get your story down. Then you start zeroing in on structure. Then you turn that original idea and those original words into such concise and descriptive wording that in just 22 syllables you tell your story.
As you tell the story, remember that often, and usually, the last line flips the story you’ve told. A negative poem ends with a positive, a positive with a negative. A story of anger ends in peace. Oppressed ends in freedom.
Using my example, I tell a story of could be an actual sunrise, emotions, or an event. It’s a pleasant and serene, inspiring tale, then with the ending it all disappears. Yes, a sunrise disappears, an event ends, the joyful emotions of love may end in total darkness and depression.
Two Adelaide Crapsey Cinquain poems:
November Night
Listen . . .
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
And fall.
Trapped
Well and
If day on day
Follows and weary year
On year . . . and ever days and years . . .
Well?
LINKING BACK TO THE PROMPT:
One way to increase interest in prompt challenges is to link back or pingback to the prompt when you write your response on your blog. This can also have a couple or more extra visits to your post.
Click HERE to find out how to do a Pingback. It’s a post I created a long time ago. It includes an image showing you how to do it.
Some people like to copy and paste the challenge image into their posts. That’s okay with me.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Risen
Risen
Good news,
He has risen,
For the sake of us all.
Accept and forever be saved.
The Way.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Double Nickles – an American Style Cinquain.
Double Nickles
An age,
Given a time,
Made for a great generation.
Music, movies, a happy time.
Ah, youth.
No kliq.
Not brain, nor jock,
Not a princ, nor misft.
Not a criminal, just the fringe.
Gen X.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Fierce – an American Style Cinquain.
Fierce
Jump shot,
Step back and fly,
Logo shot one more time.
Swish, here comes another highlight.
Fever!
For this weeks Cinquain Poetry Prompt of FIERCE.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Cinquain Poetry Prompt 5: FIERCE is your inspiration.
You don’t have to use the word in your poem, you can just use it as inspiration.
Yes, there is kind of a way of the madness of the poetry form, but you really just use the structure to create what you want in order to get your message across. There are examples of Adelaide Crapsey’s work below. She’s the one who created this style.
The Cinquain or more specifically the American Cinquain.
My Example:
Old Days
See how
The sun rises,
Breaking over beauty,
Filling the senses with heaven
Then fades.
You can see the pattern above is as follows…
THE STRUCTURE
5 Lines with each a given number of syllables as
2
4
6
8
2
An iambic foot with the stresses by line being
1
2
3
4
1
For the first line of the poem there will be two syllables with one stressed syllable and that one being the second one, which establishes the pattern.
The Cinquain most commonly used is the American Cinquain created by Adelaide Crapsey. Although she did not write down specific rules for composing one of her Cinquains, we have a form from people who have studied her poetry and have found commonalities in her works, those being the syllable and iambic foot, stresses pattern, although the iambic foot is not a requirement. Think of iambic foot and meter as the beat of music and the poem. Every other syllable is the beat.
THE CONTENT
As much as structure dictates an American Cinquain, the content and descriptive nature of the poem is just as important. Emotion. Nature. Event. Idea. All of those can be what brings words to the poem. If you’re not accustomed to cinquain yet, or your idea of a poem is big, write your poem as long as it needs to be to get your story down. Then you start zeroing in on structure. Then you turn that original idea and those original words into such concise and descriptive wording that in just 22 syllables you tell your story.
As you tell the story, remember that often, and usually, the last line flips the story you’ve told. A negative poem ends with a positive, a positive with a negative. A story of anger ends in peace. Oppressed ends in freedom.
Using my example, I tell a story of could be an actual sunrise, emotions, or an event. It’s a pleasant and serene, inspiring tale, then with the ending it all disappears. Yes, a sunrise disappears, an event ends, the joyful emotions of love may end in total darkness and depression.
Two Adelaide Crapsey Cinquain poems:
November Night
Listen . . .
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
And fall.
Trapped
Well and
If day on day
Follows and weary year
On year . . . and ever days and years . . .
Well?
LINKING BACK TO THE PROMPT:
One way to increase interest in prompt challenges is to link back or pingback to the prompt when you write your response on your blog. This can also have a couple or more extra visits to your post.
Click HERE to find out how to do a Pingback. It’s a post I created a long time ago. It includes an image showing you how to do it.
Some people like to copy and paste the challenge image into their posts. That’s okay with me.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Armed Forces – an American Style Cinquain.
Armed Foces
Birthdays,
Come one, come all,
The greatest show on Earth.
Two hundred and fifty is grand,
For Peace.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Cinquain Poetry Prompt 4: BOOM is your inspiration.
You don’t have to use the word in your poem, you can just use it as inspiration.
Yes, there is kind of a way of the madness of the poetry form, but you really just use the structure to create what you want in order to get your message across. There are examples of Adelaide Crapsey’s work below. She’s the one who created this style.
The Cinquain or more specifically the American Cinquain.
My Example:
Old Days
See how
The sun rises,
Breaking over beauty,
Filling the senses with heaven
Then fades.
You can see the pattern above is as follows…
THE STRUCTURE
5 Lines with each a given number of syllables as
2
4
6
8
2
An iambic foot with the stresses by line being
1
2
3
4
1
For the first line of the poem there will be two syllables with one stressed syllable and that one being the second one, which establishes the pattern.
The Cinquain most commonly used is the American Cinquain created by Adelaide Crapsey. Although she did not write down specific rules for composing one of her Cinquains, we have a form from people who have studied her poetry and have found commonalities in her works, those being the syllable and iambic foot, stresses pattern, although the iambic foot is not a requirement. Think of iambic foot and meter as the beat of music and the poem. Every other syllable is the beat.
THE CONTENT
As much as structure dictates an American Cinquain, the content and descriptive nature of the poem is just as important. Emotion. Nature. Event. Idea. All of those can be what brings words to the poem. If you’re not accustomed to cinquain yet, or your idea of a poem is big, write your poem as long as it needs to be to get your story down. Then you start zeroing in on structure. Then you turn that original idea and those original words into such concise and descriptive wording that in just 22 syllables you tell your story.
As you tell the story, remember that often, and usually, the last line flips the story you’ve told. A negative poem ends with a positive, a positive with a negative. A story of anger ends in peace. Oppressed ends in freedom.
Using my example, I tell a story of could be an actual sunrise, emotions, or an event. It’s a pleasant and serene, inspiring tale, then with the ending it all disappears. Yes, a sunrise disappears, an event ends, the joyful emotions of love may end in total darkness and depression.
Two Adelaide Crapsey Cinquain poems:
November Night
Listen . . .
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
And fall.
Trapped
Well and
If day on day
Follows and weary year
On year . . . and ever days and years . . .
Well?
LINKING BACK TO THE PROMPT:
One way to increase interest in prompt challenges is to link back or pingback to the prompt when you write your response on your blog. This can also have a couple or more extra visits to your post.
Click HERE to find out how to do a Pingback. It’s a post I created a long time ago. It includes an image showing you how to do it.
Some people like to copy and paste the challenge image into their posts. That’s okay with me.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Boom Baby! – an American Style Cinquain.
Boom Baby!
Best buds,
Constant whispers,
Turn the world on its ear.
A two headed hydra thunders.
Goes BOOM!
For this weeks Cinquain Poetry Prompt of BOOM.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
Cinquain prompt moving to Wednesday.
Wanted to let everyone know the Cinquain prompt from Mondays will be moving to Wednesdays starting next week with #3. I thought I would try Mondays again, like I did for 10 years with the Haiku challenge, but I don’t think it quite works.
For this weeks Cinquain Poetry Prompt of Magic.
© 2025- Ronovan Hester Copyright reserved. The author asserts his moral and legal rights over this work.
ronovanwrites 